Episode 94

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Published on:

13th Nov 2024

(Episode 94) The role of podcasting in research culture and communications

As a podcast about podcasting this week's episode is a little bit 'meta'.

It is a recording from one of the Libraries Open Lunch series of online talks with a panel of experts discussing the role of podcasting in research culture and communications.

Research Culture Uncovered's own Ged Hall was one of four panellists along with representatives from three other podcasts:

  • Research Adjacent is hosted by Sarah McLusky, an independent consultant who interviews research-adjacent professionals about what they do and how they contribute to making research successful and impactful.
  • The Leeds University Business School (LUBS) Research and innovation podcast is produced by Hannah Preston, Research Communications Manager from Leeds University Business School, and features the latest thinking on a wide range of business issues, with expert commentary from academics and postgraduate researchers.
  • The Business of Policy Making is another LUBS podcast that Hannah has developed with host by Dr Jana Javornik, Associate Professor of Work and Employment Relations in the Business School, to help demystify the world of policymaking, debunk some myths about the evidence-based policymaking process, and shine a light on the impact academic research can have on policy.

The event was chaired by Andy Tattersall, Information Specialist in the School of Medicine and Population Health at the University of Sheffield. An experienced research communication professional, Andy hosts the SCHARR Communicable Research Podcast and offers training on how to create a successful podcast.

In addition to this podcast you can read a blog about the event over on the Library blog (along with an archive of previous talks in the Open Lunch series).

Other podcasts mentioned in this episode:

All of our episodes can be accessed via the following playlists: 

Follow us on X: @ResDevLeeds (new episodes are announced here), @OpenResLeeds@ResCultureLeeds  

Connect to us on LinkedIn: @ResearchUncoveredPodcast (new episodes are announced here) 

Leeds Research Culture links: 

If you would like to contribute to a podcast episode get in touch: researcherdevelopment@leeds.ac.uk

Transcript
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Welcome to the research culture Uncovered podcast, where in

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every episode we explore what is research culture

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and what should it be? You'll hear thoughts and opinions from

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a range of contributors to help you change research culture

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into what you want it to be.

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Hi, it's Nick, and this episode of research Culture uncovered

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is a little different, not to mention a little longer than usual.

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It's a recording from one of our open lunch webinars, which are a monthly

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series of online talks that cover all sorts of topics related to open

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research and open education, open practice in general,

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really, everyone is welcome, and you can find an archive of recordings on the

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library blog, which I've linked in the show notes below.

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As a panel discussion about podcasting, rather than publishing this one as

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a video, as I usually do, I thought we should make it into, well, a

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podcast. The webinar was chaired by Andy Tattersall from the University

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of Sheffield and who I'll pass straight over to now to introduce himself and our

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panel of podcasters. So, just a brief

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introduction of who I am. I work in the Sheffield Centre for Health and Related

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Research. I've got a long sort of connection with audio as such.

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I started making radio shows for friends when I was about 14 years old

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on cassette and was a pirate radio DJ for about six years in

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the 1990s and did a

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journalism degree in the 1990s as broadcast journalism and

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eventually took the plunge into bringing this kind of stuff into my

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work around six, seven years ago in my own podcasts, and now

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produce and host my own podcast called Communicable Research. I'll put

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a link into all of these, and I produce a

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podcast called Research Records, which is a cross between Desert Island

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Discs and the Life Scientific. And it's quite apt that we've had Jim Alkhalili as

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a guest on there, and also Helen Sharman. So

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and I produce other podcasts as well and host a podcast

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course, an online podcast course. But I'm really pleased to be chairing

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a quartet of experts who are making podcasts

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at University Leeds and elsewhere

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that are doing some really interesting stuff in the sphere

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of research dissemination, sharing ideas, good practice,

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and professionalism. And I was listening this morning to an episode

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of Research Adjacent as I was actually coming in.

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So what I would like is our four panelists to actually,

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actually tell us who they are and the podcast that they do

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for a minute or so. But I also want to encourage you all to start

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thinking about questions and putting them in the chat. I've got some questions lined up,

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but really, ideally I want to hear from you and we want to hear from

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you about any questions. And there is no stupid

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question about making podcasts. If you feel like this

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is a dumb question, I shouldn't be asking it, I'm sure there'll be plenty of

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people who will probably have the same question, so don't be shy.

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It's a really good space and we've got some real expertise here to share with

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you. So I'm going to go around. I'll start with Jana first to talk about

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her work. Hi everyone. A warm

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welcome and thank you for having me on this on this

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episode, Andy and Nick and the rest.

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So what I do. So my name is Jana. I'm an academic who keeps

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popping in and out of the policy world and someone

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who kind of likes to travel lightly across the world.

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So currently based in Leeds and

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what we did, Hannah and I, in the

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podcast that we hosted last year titled

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Business of Policymaking, was

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thinking how to bring the policy world closer

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to academia. And as you know, academia

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in the UK, also the Netherlands, but also Slovenia, I know we have guests

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today from Slovenia, is becoming increasingly

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invested in making research socially relevant

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and socially responsible. But how

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to do that, it's not always easy. We don't know how to speak to the

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policy world, how to speak to policy wonks and so on and so forth.

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So our question here was, how can research inform

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better public policy that is based on evidence? Obviously, that's

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a perpetual question.

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But how better to learn about this than to speak

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to those who actually do policy who work in the policy

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world? Across policy world. Across the world.

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Hannah and I had this kind of intense conversation on how to do that that

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is both eco friendly and also friendly to human beings

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so that we don't have to fly them from all over the world, but still

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enjoy learning from them. And so obviously, the most

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obvious kind of medium for that was

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the podcast. So we managed to kind of bring

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all these manic schedules, manic locations into a

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series called the business of policymaking. And I'll

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develop this further up as we go. Over to you,

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Andy. Thank you. Over to you, Hannah. Please.

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Hi, I'm Hannah Preston. I'm Leeds University Business School's Research

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Communications Manager. So my job is all about making our

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research accessible and getting it out to a wider audience. So

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as part of this, I created the Business School's Research and

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Innovation podcast. And it's another way of helping

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to get our researchers worked to different audiences, to non

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academic audiences. Work that was traditionally stuck

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behind a paywalls, journal article, helping to

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share it in different formats, and the episodes

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are really varied. We've got such different topics, although you might just think business

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school about business. It's actually massively varied.

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So some episodes might be on rural

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entrepreneurship and difficulties that farmers are facing, whereas

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others about working in childcare, some about

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how we can do just transitions to greener working

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environments. So although the topics are really varied, the main

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theme is that it's all research that's taking place within the Business School,

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or it's all expert opinion from our thought leaders on something

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topical. So we're slightly different our podcast, in that we're

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not...we don't regularly put episodes out. As much

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as I'd like to be able to say we do it fortnightly. I kind of

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took the pressure off and said, we'll share something when someone's got something to share.

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So I very much encourage our colleagues to use the podcast for their own

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projects as well. So if they're on a three year funded project,

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I say, well, why don't we aim for a six episode playlist?

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And I create a specific playlist for them, and then they've got our platform,

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my support, they don't have to worry about keeping on top of things and sharing

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it, and they can utilize the audience that we already have with the Business School's

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podcast. Thank you, Hannah. And

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over to you, Sarah. Hi. Thanks very much for

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inviting me to come along. So, yeah, I'm Sarah McCluskey and I am

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not at Leeds actually, but Leeds have been

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incredibly welcoming, inviting me to come along today. I

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host the Research Adjacent podcast, and that

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is a podcast which shares stories and strategies to

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help people to navigate a research adjacent

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career. By research adjacent, if you don't know the

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term, I kind of. I didn't quite make it up, but I've definitely run

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with it. It is all the people who are part of the research

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environment but are not academics. So

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I've had all kinds of guests on the podcast, including Nick and Ged,

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who are on the call today, both being guests talking about

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all kinds of different jobs and things like that, and some episodes which are

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about some of the common challenges that people in the research adjacent world

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face. This is not my first podcast, so

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I am freelance, now freelance research communication

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specialist. But my first podcast was actually one for a research

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project that I worked on called Life of Breath. And it came

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out of the... as a research communication specialist, I've always said

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that you should consume the content

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that you want to create. And at the time I was listening to lots of

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podcasts, so I was like, well, why don't we make a podcast? And some of

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the things that we had in the research project really lent themselves. There was a

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lot to do with music and audio content and things

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like that. So that was my first podcast. And I just

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earlier this year also helped to create another podcast called Academic Adventures, which

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is about academic entrepreneurship for the University of the West of

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Scotland, and that's supported by Scottish Enterprise. So a

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few different toes in this

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research podcasting water. Thank you,

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Sarah. And finally, over to Ged. All right, thanks,

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Andy, and hi everyone. So I'm Ged

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Hall here at Leeds, and I'm one of the co hosts,

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and we have a number of the other hosts on the call, so

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if I say anything wrong, I'm sure Ruth will jump in and kind

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of correct me, but we're multi, as I said, multi

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host. Research Culture Uncovered covers all aspects

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of research culture. It's interesting what Sarah said in

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terms of consume the content you want to have,

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because I hated podcasts

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before becoming a host, I

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tried listening to some in my space. I'm a research

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impact professional. But Mark will probably

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be not surprised by this feedback that I

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always felt that he went on a bit too long. So

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Mark Reed, in his Fast Track Impact podcast, so I kind

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of didn't engage with that. So that was interesting. But

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the point of our podcast is that we try to showcase a lot

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of activity around research culture,

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and we take also the different viewpoints and we

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have different themes. Nick is one of the co hosts, so obviously

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his is around open research, mine's around research

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impact. Ruth is a careers expert, so

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hers is around research careers. We've got Emma on the call, so she

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does stuff around kind of research culture more generally and sort of

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leadership. Tony Bromley is also one of the hosts, and

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he does things around kind of talent management and kind of the earlier

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career research environment,

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and we're encouraging new hosts. So

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Taryn joined us a few months ago.

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We've now just hit our second anniversary,just about to. So

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Taryn Bell joined us and she also does things around

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careers. And Emily will be joining us and I

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think she'll be doing things around kind of responsible research, which kind

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of overlaps to some extent with my kind of research impact

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things. So thanks, Andy. Thank you. And it's

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nice to see there's a plus one. There's a nice commendation here from Izzy, so

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she's listened to some episodes of Research Culture Uncovered podcast learnt

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loads. So a thumbs up there, a nice

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endorsement. So a question for you all,

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in terms of this ever changing research environment we find ourselves

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in, and ways to try and disseminate research, to try and generate

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impact, to reach policymakers, even reach the public.

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What is it that podcasts bring that perhaps some of the other methods that

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we've been using a little bit longer, perhaps in academia, such as

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social media, traditional media, blogs. What is it that podcasts

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bring to the party that we didn't maybe have

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a few years ago, maybe start with

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Hannah? Yeah, I

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think I definitely don't put podcasts

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above any of the platforms. I think they're a mix. I think because

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people prefer to receive information in different ways. So if you prefer to

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watch things, podcasts might not be great. If you, like me, prefer to read things,

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that's going to be a preference. So I think it's about offering a variety. But

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one thing I do think works really well with podcasts is bringing across

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personality, making them more engaging, actually being able to

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literally hear the voice of the person who's sharing these insights. I think

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it's the quickest and easiest way to put, you know, to get that personality there.

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And particularly when we're sharing academic research, you know,

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sometimes, particularly when you think of journal articles, it can be very dry and you

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lose any sense of passion. Whereas actually, people who are

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dedicated, you know, most of their lives to, you know, this, that

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they care about the work, you have to care about what you're working on, you

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know, to be this involved. And I think to be an academic and people

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are keen to share their insights and I think that sometimes doesn't come across. But

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when you've got podcasts, particularly when you're being interviewed or you're in a

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conversation with a colleague, you can bring across that passion and you also get a

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chance to share the anecdotes as well. The things that don't go into the formal

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findings but are still important to you or still, you know,

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important to share as well. Thank you. Great points.

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Anyone would like to contribute to that? Yeah, I

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feel offended, as an academic, you know, Hannah, you're saying we are

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dry! No, but I agree.

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It's also the language. You have so much more freedom

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to express very complex ideas when you

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just talk. But I just wanted to interfere, as an

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academic, I think

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what we really like, because I think the podcast that Hannah and

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I did, the Business of Policymaking, kind of stands out from the rest of the

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podcasts here, is bringing the external

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world, which is very often so remote

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from what we do in academia, is, I think

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it brings that extra value. And I think this is what podcasts

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can do kind of bring different worlds

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to us into academia. But one thing that I

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thought was an advantage of doing

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a podcast was the kind of host to listener

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interaction. And this is something we didn't do quite,

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quite well in our podcast because this is not how it was set up

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initially. But that's something that I think it's an added value of a

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podcast. I think Sarah was trying to raise before

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I protested Sarah, over to you.

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You're muted Sarah.

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Oh, there we go. Sorry, too many mute buttons. That's my problem.

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You would think I knew what I was doing by now. I was just going

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to add, I mean, I think, as Hannah and Jana have said,

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the way you get across the personality and the relationship, I think is really

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important. And there's an intimacy about it, which I think

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builds bridges incredibly quickly between the listener and

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the person who's talking in the podcast,

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much more than any other form of relationship. I think even than,

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face to face, I think you build intimacy much quicker. And I

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think that is really valuable. And then I also think there is the fact that

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it's pretty much the only way of consuming

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this information when you're not sitting at a desk. So I

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think so many people listen to podcasts when they are like, I've just been

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out walking the dog and listening to podcasts while I was walking the dog. You

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know, they might be tidy in the house, they might be cooking, you know, whatever.

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And there's so much information out there in the world that giving

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people that option to consume it in a way that fits in with

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their life, I think is really valuable. Yeah, I think everybody's kind

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of not stolen my points because, yeah, we're

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all not competitive here

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in terms of the research culture, but I think just to

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add on to that, I think there's a range of views you can

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have in terms of where a panel at the moment, we can

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disagree with each other. I mean, in doing that,

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we can expand the range of views and actually we can debate. So you can

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get a debate happening on podcasts, which

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is, which is less likely, I think,

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with other things. And also debate can be a bit

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more confrontational in some of the other

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mechanisms. So I think that's the thing, I would add.

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Thank you Ged. I think that's interesting about the idea of debate as well, something

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that perhaps we do overlook. And having multiple voices. This

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is quite an apt question that's coming from someone, because I was down at, say,

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Sheffield Hallam talking about Open Educational Resources and

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the issues relating to that. This is very similar. Someone's asked, how does the

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university administration i.e. such as the legal department? I'm thinking

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probably issues around reputation management, view podcasts.

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Do they scrutinize them beforehand, or are you free to broadcast anything

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you want? Would they be under review, whatever

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that might involve? Or are they largely autonomous

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to talk about what we choose to talk about?

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And I think this goes back to earlier point about academic freedom, etcetera. Has

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anyone got a particular thoughts on those?

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Yeah. Jana?

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Thanks. No, I was. I think it's a really, really good question,

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particularly now in this really highly politicized

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period, where I think that there is a very

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contested issue between academic

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freedom, as well as some self censorship that

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also academics and others do. And I think our

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podcast was particularly slippery slope

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because we hosted people from the world of politics, not

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just policymaking. And you

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never know as an academic, perhaps,

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what could trigger...what could be the wrong

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thing. And we did have a good example of that. Perhaps

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Hannah can highlight that a bit later on.

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We hosted an expert from one of

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the governmental

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offices, and obviously, the opponents

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of that particular political area

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really contested what was said in a podcast.

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So there was some kind of a potential reputation

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issue there, which I think was handled really, really

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well. But to answer that specific question, we

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had some internal checks before it was aired.

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But in this particular podcast, I think it was really more important

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to have it checked by those who came onto the

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podcast, because it turned out it was far more a slippery

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slope for them than it was for us, because when they have an open conversation

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with an academic, they tend to open up more than they

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probably would if they were not exposed to that kind of

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imagined freedom. Hannah? Yeah,

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it was a mixed reactions day, because I saw that the podcast had

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been mentioned in....it was the Scottish Daily Mail. My first

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reaction. Oh, podcast got a mention then...oh, Daily Mail,

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what's happening here? So that was unexpected.

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Some things, like, you see, you can kind of

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expect might happen. You can do a bit of a risk analysis,

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but some things come out of the blue. It was fine. The speaker was fine

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with it. We didn't get anything further. But that was just a bit of an

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insight into...even with those internal checks. Yes, I

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think there are two points here. There's one that Jana's raised with the

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internal checks of making sure your speakers are happy, because that's the main thing, making

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sure that what they've said they're all right with. And for the

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policymaking podcast that we had, we had a peer

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group with similar interests who we

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checked in from. But as my position as a communications manager in

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the university, I should. I think my official advice would be

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to check in with your marketing teams. I don't know how other people are

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doing it here and I'm cautious of saying anything that might get us into trouble

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because I'm very much of the hey, let's just roll with it. Let's do it.

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And if it's wrong, they'll tell us later. But I think my official bottom line

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is please check in with your marketing teams because there are

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things....so the literal answer, sorry to your question, is no,

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no one's going to be checking. There isn't someone in central who says we need

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to listen to every episode before it goes out. However, if you

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are going out there saying you are a University of Leeds podcast, if you're wanting

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to use the branding and the artwork, there will be certain checks you need to

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do. So I would encourage anyone who's considering doing it

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to go off and say, just speak to your marketing team or the

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central communications team. I mean, it's a bit like with social media pages, you know,

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there's never an exact clear line of people who have

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academic social media pages. And then they say, work at the

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University of Leeds, views are my own. And you think, yes,

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absolutely. Freedom of speech. But the same time, if you're talking about what you do

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at work and, you know, some of your opinions are perhaps

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questionable, or they're bringing in line the institution's reputation, then, you know, that's.

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There's a conversation to be had there.

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Sorry, Ged, were you going to say something? Yeah, I think in terms of

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that, it's probably wise. We didn't do that. So.

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And two years in, nobody's come back to us.

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We do know that, you know,

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people, people further up do listen, but from

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an interest point of view, which is great, that's

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not from a censorship point of view. The

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other thing to bear in mind is that our central comms team also

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got involved in podcasting over the last

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year with a podcast called How to Fix. So that was really

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publicizing some different areas of

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research. So there was one that I spotted which had an old

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undergraduate mate of mine doing stuff

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around quality and things like that. So I think

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if your central comms team is involved in it and kind of really

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thinking that this is a great thing to

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do, I kind of really don't think that

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there's too much... I mean, we do think through,

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what is it that. What is our angle? As Hannah

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said, we mention this with our guests, whether they're internal

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or external to the university, we make sure they're happy with how it's

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edited and all of those things. The show notes

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replicate, the points that they've made and

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any links that they want to do. So all of that gets kind of

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internally peer reviewed, if you will, with the guest.

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Sarah, do you want to add anything regarding that? I think,

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well, not especially because I'm in a slightly different situation where I'm freelancer. I can

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put out whatever I like. Which in some ways makes it a lot

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easier. But obviously when I have guests on, they may

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feel that they're representing their organization. So sometimes when I

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have guests on, they sort of say, oh, I need to just go and check

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with my comms department that it's okay for me to do this and then I'll

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be able to kind of confirm. And I always do give people, I

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don't let people listen to it beforehand, partly

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just because of the logistics of if they come back and say they want things

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edited, it can be a bit of a headache. But I will let them have

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the transcript after the call so that if they

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say, can we take this out? The same goes in the conversation. If they

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say something and they say, oh, that came out wrong, can we, can we

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re record it then? I'm absolutely happy to do that.

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But, yeah, actually, as far as I'm concerned, once it's out in the world,

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it's out in the world. So. Yeah, but I don't talk about anything very

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controversial, really. Sort of like following on from this. And

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there's kind of this, this question. Two things here. One about

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momentum. How do you maintain momentum, you know, so how do you

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keep sourcing guests and producing and Hannah, how do you do the same

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and how do you have that momentum? But also from terms of the institutional

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perspective, the issues where you may be doing more thorny,

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contentious issues, and that you do feel a little bit edgy and nervy, that that

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in itself could breed some kind of inertia, that actually making the podcast

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becomes a bit of a pain because you're, you're actually treating these particular

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areas and have to be very cautious. So two things here, and I'll ask

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Sarah, first, in terms of the process of momentum, just

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keeping a series going. Yeah, sure. So

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it is really hard. Yeah. One thing I will say,

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so research adjacent has been going for over 18

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months now, and that I

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initially started doing it every week, and after about

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15 episodes, I decided to drop down to doing it once a fortnight just

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to make it a little bit more manageable. But otherwise, from

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that point of view, you just. I just always am thinking, you know, I'm always

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having to work a few episodes ahead who do I want to talk to. Looking

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at the balance of the program, I mean, partly I love it, so.

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And I find it, for me, I just love talking to people and find

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I'm really curious and I love finding out about them, what they do. So

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actually doing the interviews and things like that. For me, that's the

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really fun bit. Sometimes doing all the editing and stuff afterwards can

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be a bit of a chore. But I would say, yeah, if you're

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worried about momentum, don't get into it unless you've

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got a sense of like, there's this whole thing of pod fade

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where people do like three episodes and then it's never heard of

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again. I was told that before I started, so

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I initially went in with ten recorded,

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so I didn't put any out until I had ten ready to go. I think

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that's a really valuable piece of advice.

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It's fine to do things in seasons, so it's fine to say, I'm going to

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do ten episodes. The Life of Breath podcast, as I mentioned, the first one

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did that, actually, we only ever did ten episodes, and that was,

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you know, all we ever intended to do was ten episodes. It was within the

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scope of the research project and that was fine. So maybe it's about being

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clear about your goals for it, whether you want it to keep going or whether

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you want it to be a limited time thing, but have a plan. I would

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say don't just record a couple of episodes just to see.

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And colleagues at Leeds, because one of the problems is often you have

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this great energy to get these things going and you've got to try and

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get colleagues to buy in. So again, that must be. Is that an issue as

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well in terms of momentum? So

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I think we're finding that we've got way more content

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than we can probably deal with at the

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moment. We have a LinkedIn

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presence for our podcast, and we put it out there in terms

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of who wants to be a guest. It's kind of open access.

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So we're currently kind of going down that list of

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meeting those people, having a quick chat, and kind of going,

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what might be your angle for that episode? And then there's kind

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of like, oh, yeah, that does make sense. That does

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fit with our aim and what we're hoping for

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from our podcast. So I think that's

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that crowdsourcing has been useful in terms of

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generating us momentum. I remember in our early

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days, we did the let's do it weekly and then

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went to fortnightly. And I remember we also did

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seasons. You know, when we started off, we did seasons that. When

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did I put my hand up? I didn't actually touch

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my keyboard, so I didn't actually put my hand up. It's just zoom

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thinking I'm talking, I'm guessing. So

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when. When we did the series initially, we

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did series, so each of us would do eight, nine episodes.

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And that was tough, especially because that's when we were doing

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the weekly release.

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And I kind of thankfully did follow Sarah's

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advice, even without knowing it, and kind of tried to get almost

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all my episodes in the can. But

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one of the hosts, who I won't name and shame, kind of

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was a bit more last minute and felt quite

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pressured by that. So I think it's kind of

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like work out. What's your method?

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Are you happy with that, kind of just in time

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delivery? And if you're not, don't do it.

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Anyone else? Hannah, want to contribute?

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Yes. So I'll leave Janna to talk about the business policymaking one, because they're two

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very different ones, and that was a set series for the number of episodes, whereas

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the research innovation one is a rolling one. And again, I don't know whether we

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were weekly, but certainly fortnightly. And now it's not. I couldn't even tell you it

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was monthly. It's...sometimes you might have three in a month, sometimes it's

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one in three months. But I think it's, again, knowing the

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purpose. So if you, for example, you want

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to do it on a particular project and you think, well, actually, we just...there are

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so many different things we can talk about. Why don't we say, let's do six

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episodes and just release it as a series? You don't have to have this pressure

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to be ongoing. You can think, you know, we've got six

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experts involved in this, different stakeholders. Why not feature all of them as a guest?

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And you don't have to set yourself up for this ongoing process.

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The way we do it with the business school is, like I said,

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I'll share it in the chat now, but we use it for

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projects. And again, people don't have to have the pressure of doing it at

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a certain time. But the downside of this is, and I'm sure we're going to

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go into this, it's really hard to build up a regular

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listenership. So if you know that you're going to release something every week, people can

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tune in, they can go, it's Tuesday morning, I'm going to be listening to this.

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And that's probably the better way to growing. Whereas we

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might not have great listening figures for that, but we know we're going to

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reach a target audience. So, for example, if people are using the podcast for

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a project, they might say, oh, we're really trying to get on with this certain

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department somewhere, and we can send it directly to them, and that's more

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valuable for that person. So for us, not having this

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regular element isn't as important. So if you're trying to perhaps grow yourself as

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a brand or a reputation, you want to see yourself as experts, then

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yes, you want to be thinking about your frequency and getting your

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fortnightly weekly episodes out there. But if you're using it as

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a way of disseminating particular information and trying to reach a specific

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audience, then you don't necessarily have to put that pressure on yourself to be

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doing these regular episodes, if that makes sense.

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Jana, do you want to add... Yeah, that's such a good point, because in

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our podcast, again, it stands out from the

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others presented today, was that we had some really big

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shots coming onto our show and

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managing the incredibly busy schedules of

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those big figures who work in

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different time zones and so on and so forth.

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There was a lot of work, and this is something I think very

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often ignored or overlooked by some zealous,

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enthusiastic podcasters or people who are thinking about

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doing a podcast, is that there's like

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ten times more time that needs to go into doing a

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podcast than we anticipated. And I think Hannah and I

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spent about a year before actually releasing

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the podcast series, and there was always a plan of

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having kind of them organized in series, as both Jed and

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Sarah already mentioned, because we just didn't know how many people we

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would be able to secure what, you know, what the timing would be. But one

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thing that I've learned from other podcasts, and also as a

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podcast listener, is that what I

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appreciate is a consistent release

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schedule. Doesn't matter the frequency, but it has to be

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consistent. And I think Sarah has already mentioned,

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even if you decide to have it just once a month, just make sure that

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you actually do put it out once a month,

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because the competition is fierce. And

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I'm quite sure your podcast isn't as jazzy,

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as sexy as we who kind of put our

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sweat and tears into making it actually believe.

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So make sure you are there. You're out there, and if you're serious

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about it, just be consistent in putting it out there.

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So a similar sort of following on question from Catherine, which I

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think obviously you all give some thought about and have alluded to in your previous

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answers, but how do you advertise and situate your podcast so that

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they can be sure people will tune in or at least give them as good

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a chance because it's an increasingly crowded area.

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Not just that, it's all the other means of dissemination. So how do you

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actually tackle that? I don't know. Who wants to go first?

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Ged, yeah So one point I was just going to

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follow on from Jana, which actually situates with your with

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your next question, Andy, is that we've tried to

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avoid being competitive. So, you know,

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Sarah's podcast could be seen as competitive to ours in

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terms of the research careers bit. But, you

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know, we've had Sarah on our podcast and as she

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said, I and Nick have been on hers.

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So we are kind of doing a promotion for each

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other. We've also done that with another podcast

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called Research Co Culture,

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which was organized by some...they were when they

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started the podcast, postdocs at Oxford.

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Now, one of them works in the Government Office for

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Science and another one works for a pharma

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company, but they're carrying on with that, with that podcast. So

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again, we did

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that co promotion, if you will. The other

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thing we've done heavily, we're really consistent in terms

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of where we tell, I know Sarah's kind of

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dropped off Twitter. We've carried on

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mainly because we've still got people picking it up

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from that direction. And it's

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also really important that you you know, when you have a

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guest, that they utilize their networks.

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So if the guest is really passive in advertising

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their own episode, then you

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do kind of notice that in the listening figures. But if they're

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really active in promoting their own

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episode into their own networks, however they do it, you know,

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you do notice a real big uptick for that kind of

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guest. Yeah, that could be quite infuriating when you've had a guest

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and he's got quite a lot of followers and you tweet at them and then

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they just like it at best and you kind of go, oh, no. Yeah,

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that was an opportunity lost. Anyone else want to contribute

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to follow that up? Yeah, I can see a little bit

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about I mean, it's in terms of sharing it, promoting it, it's just all the

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same stuff you would do with any thing. You know, it's social media,

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it's email newsletters, you know, it's all that kind of stuff.

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As Ged says, I don't use Twitter anymore, but, you know, LinkedIn is really

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growing now that Twitter has fallen away in the

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podcast apps themselves, people sometimes search so in, for example, in

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Spotify in particular, people can search for topics and things and find

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podcasts that way. I don't know Apple podcasts well because I don't have an

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Apple device. And, and then, as Ged says as well, this

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cross...if you've got a podcast that interviews

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people, then that's amazing for increasing the reach,

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provided that they share with their networks. Being guests on other people's

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podcasts, I've been guests on quite a few different related

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podcasts, talking about it at events, conferences, all that

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kind of stuff. Yeah, all of that usual kind of thing.

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Anyone else? Yeah, I had Hannah,

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whose brain is kind of like always around...how do we

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make the best of what we produced? And kind of Hannah had

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a strategy. I'm so far from strategizing, kind of making

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plans and all that. So I think one of

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the really added value here was that we worked in

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tandem, kind of like we paired up and we brought to that podcast

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a completely different perspectives, completely different experiences.

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So it wasn't just adding up and stacking up the same kind of skills and

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same knowledge. It was really completely different kind of

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components. And I think it really, really, really

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worked. In terms of promotion as an

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academic, you know, like how you get an email invite to an

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event two weeks before the event, and two weeks before

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the event, you get another 100 invites to another 100

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events. So I think being in people's faces all the time,

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not all the time, kind of striking the really fine balance between being there all

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the time and kind of not being there is you

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don't underestimate, not so much

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competition as for the content, but the competition for attention

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and time that people are able to invest into what you

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produce. So I think good reminder, this is

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something we slightly failed to do. Kind of like, we launched

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it, we put it out there and then thought, oh, people will pick it

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up, but no, you have to kind of keep repeating, kind of putting it

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back out there. So I think that's a very good

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strategy if you're serious about that, just kind

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of don't shy away from promoting it in

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regular intervals as well.

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Just sort of following on, because I know some panel do this. How important

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are trailers and clips, things on social media, things that kind of hook people in

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with a 30 second clip? How do you use those in any

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particular way? I'll just say, to

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be honest, we don't, but I'd like to. But is another example of

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things taking time, like with the Business of Policymaking.

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You know, it was very much Jana leading on the content, and we were both

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doing it. But with the R and I podcast, it's just me and it's part

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of my...I only work, 70% part time anyway. And the podcast is

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one of another 95 things I'm expected to do each week. So I'm not

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expected to do. I want to do. I love it. They're all these things are

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my passion projects that end up being kind of an integral part of the strategy

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because I make them that way. But there is so much more we could do

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with it. There's so much more I'd like to do. I'd like to do more

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trailers. I'd like to do more detailed show notes. I'd like to think more about

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the SEO. I'd like to do more visuals. I'd like to make sure we've got

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great speaker headshots as well as having our own kind of podcast visual identity,

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which we use. I'd like to make sure we've got more teasers in the run

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up. I'd like to do series summaries. So I do

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think they're important. Basically, I don't anyone to go look at the R & I

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podcast and think she's not doing any of those things there. So I think

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it's. But it's an important, you know, this panel is to share experiences.

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An important part of that is, you know, I'm sure we'll discuss this is. How

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much time does it take? Well, the recording part, you cannot be done within an

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hour. Recording the podcast is not the thing that takes time, it's

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editing. We do know a couple of people, so they don't do much editing with

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the podcasts. I do do a lot of editing on ours, and that's because

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some of our academics aren't very comfortable speaking on the podcast. For most of

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them, it's the first time they've done it. A lot of them perhaps haven't spoken

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at events yet, and they're quite nervous. And as part of that reassurance, I say,

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look, don't worry, if you want to say something five times, we'll do that.

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A lot of people have the ums and ahs in there, which again, I don't

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delete all of, but I do go through that a bit. So editing

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takes me a lot of time. Again, going back to an earlier point

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about checking people happy with it. Some of the research we talk about is externally

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funded, so they've got to have that cap on and think, actually, would my funders

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be happy with me? That. So there's time taken to do that. Checking the

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transcript, everything else, uploading it, coming up with the social media, things

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to share. So not trying to put anyone off doing this. Absolutely

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not. But just as an awareness of. Yes, start thinking about social

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media strategy. Teasers will help, trailers will help. But factor

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in time. You think it's only going to take you five minutes to draft something

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for LinkedIn, but when you've actually gone, oh, I need to find the profile to

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link the right person. I need to see which hashtags are the popular ones the

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most. Let me just double check the spelling of that. Oh, the picture's not pulling

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through for some reason. A five minute job's taken 40 minutes, and those kind of

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things, they can add up. Can I jump in,

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Andy? Just Hannah and I had, you know, months long

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conversation around a vodcast versus a podcast. Kind of like, do

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we do video with the podcast? And it would

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be so good if I could hear your thoughts on that as well, because

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as someone who's losing hearing, as someone who's losing eyesight, kind of like I

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prefer having it all, having everyone in my screen and just shouting

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out both visually and using sound as well,

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and as a listener, kind of like, I prefer

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those with videos. Although that goes against your point, Sarah. I think

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people kind of listening everywhere, anywhere

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at all times, whereas video cast doesn't have that.

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But Hannah and I decided against it also because

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it does require a very experienced

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guest as well as a host. And, you know, some

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would come in onto a show wearing just plain t

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shirts, and for a big shot who is supposed to be wearing a tie

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and whatever attire and uniform, I

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think that felt far more relaxing than it would with a camera. But I wonder

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what you think about the future of podcasts in that respect?

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Thank you, Jana. Anyone want to contribute? It sounds like Hannah, though, it sounds like

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you need a job doing the podcast at the University of Leeds or someone needs

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to clone you. That'd be nice. That'd be good.

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Anyone want to add in terms of that? Well, yeah,

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I don't do videos, actually. I think this was one of the questions we thought

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we might talk about, and we haven't. I don't do videos for the

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reason it puts people off. Being a guest actually, is one of the

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reasons I don't, because there's a lot of people who kind of don't mind the

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audio, but actually they're less keen to be

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on video, at least for them to be on video, like the whole time, through

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an entire podcast. And it happened to me once

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recently, I was a guest on a podcast and they didn't warn me that they

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were going to use the video. And suddenly I went on social media and

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there was my face, you know, and because I hadn't known they were going to

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record it, I hadn't been making sure I was looking at the camera, you know,

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all that sort of stuff. So, to be honest, doing just the audio is a

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pretty big job in itself. If you then add video in as well, it starts

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to become more difficult for somebody to do it as a

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side gig, if you know what I mean. Like, if they're not a professional

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videographer or podcast maker, you know, when you start to add in

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all those extra things, you're adding extra complexity. So if somebody just

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wants to. Sometimes we give ourselves all kinds of reasons not to get

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started. And if video is something that's holding people back from getting

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started, just forget about it. Yeah, I think just coming in

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on that, we got some training from a

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podcast coach who, lovely guy from the States, you know, so

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he was, he was logging in

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to help with the training at about 04:00 in the morning for

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him and things like that. And one thing he said

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to us was, in terms of that, Ruth's just

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put the point in terms of authenticity, is trying to

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have it as almost like you're listening in on a really interesting

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conversation in the coffee shop or the pub or something like that.

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So anything you do that makes it less

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easy for the guest to be, be in that relaxed

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state. Like they're just having a really interesting

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conversation with a, with a colleague,

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maybe soon to be a friend in a

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relaxed environment. You know, avoid,

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avoid doing that because, you know, ultimately, people

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can get blown off course. And we've

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certainly had to work with guests, even on the audio side of things, in terms

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of getting over their, kind of things like imposter

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syndrome, things like, do I sound stupid? You kind of

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go, you're talking to a person from Blackburn, you know, I've got an

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accent, and I'm not going to hide it because I went

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through that pain as an undergraduate at university

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in London in the eighties, and I'm not doing it again as a

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56 year old. So, you know,

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let's just be honest. This is our voices, and let's just have a really

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interesting conversation and allow others to hear it.

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Just building on that. Something that we've kind of talked about without explicitly

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mentioning is to factor in who your host is going to be.

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So I'm the odd one out on the podcast here, and I'm the only one

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who's not a host, and there's a reason for that, apart from

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getting, I was going to say roped in, but I wasn't roped into this at

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all. I was delighted to be invited to be on this panel, but I'm very

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much normally behind the scenes. I always say it's ironic that for someone who works

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in communications, I struggle to communicate things when it's not coming from my own

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mouth. But I don't host on the R

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& I podcast. I ensure that it's between two academics or an

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academic and someone involved in the project or one of our postgraduate

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researchers or someone else. But if you are going to be a host,

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you've got to allow some more time. I think everyone here does a fantastic job

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of that, but it is a skill set. You've got to be confident, you've got

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to be comfortable. You've got to make your guests comfortable, but you also have to

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allow a bit of time to do the research. You know, you can't invite, and

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I'll let others speak about this, but you can't just invite someone on and then

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expect them kind of do the heavy lifting. You kind of need to know what

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they're about and what questions. So I think if you are for people on

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this, on this webinar who are thinking about doing their own podcast, I think thinking

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about who is going to be the literal voice of your series.

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And I'm sure the Research Culture Uncovered team would probably want to talk about their

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roles being team players rather than just one person. And that's different with

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Sarah's podcast. They can of pros and cons of that. But I think it's just

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worth highlighting that the role of the host is a really important

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one. Jana, did you put your hand up?

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Yeah. I think this is such a great point

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because obviously, if you have an idea to do a podcast,

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then have a think. If you actually have, if you have the skill to be

Speaker:

a host and be hosting it as well. And my advice would be to

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really know the content, and especially if you're doing

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a kind of like what we did in our was

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talking to people. And even though it's very useful to have a

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rough plan and a lot of, you know, people would want to have

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questions in advance, it should be a conversation. So

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it's not kind of like an undergraduate interview where you

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get straight questions and, you know, you don't expand.

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The good podcast expands on that. And

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for that, obviously, you need to be knowledgeable, you need to know

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things. So it's not just the research, it's also you feeling comfortable

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about having those sometimes really tough conversations and

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kind of being on the journey with your guest.

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Thank you. And just to say, Ged, you've got a great voice for podcasts. The

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Blackburn accent's very nice. Sounds very much like

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Graham Massey from 808 State, a nice accent.

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A colleague of mine says, yeah,

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face for radio. I think I've got that.

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A quick question here to go around you, because I know we haven't got a

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lot of time and there's questions coming in, so it's just really a quick

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one. What's the one thing you wish you'd known before you started

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your podcast journey?

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Who would like to start with that? Maybe Sarah, yourself,

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running your own podcast, etcetera? Oh, goodness

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me. I think if the one thing. Oh,

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I can think of lots of things...

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And my mind's just gone. Come back to me. My mind's just gone slightly blank

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because I just answered a question in the chat and my mind was still on

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that, so come back to me. Okay, so

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who would like to pick up, Ged? So I think

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the. I think the thing that

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was really interesting for us,

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that because we had some coaching, we didn't kind of,

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we kind of talked through all of those, all of those things. So there was

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nothing that was kind of a surprise, but there was the, how do

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you control multiple people when you're

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on a situation like this, when

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you've got the panel, when you're doing a fantastic job of handling

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as, because we are all quite chatty.

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I know the five of us are, sorry, four

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of us are quite chatty. So talking over each other and that

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being difficult when it comes to editing and things like that.

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So it's that when you go past more than just you and

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a guest

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is the one that's always been challenging and then

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keeping that short enough, you know, we have an aim to try

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and hit sort of 20 to 30 minutes as

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a rough guide for our episodes. And, you know, I had two

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guests on the podcast that's going out next week and

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I was fully interested in it, and we've hit 70

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minutes. So, you know, if you're a subscriber to

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ours, make sure you set some time aside for that coming out next

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week.

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Yeah, I just wanted to say that I'm a professional

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guest on podcasts, but definitely not a professional

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host. And as you know, as a

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newcomer to being a host on a very short lived podcast,

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I completely underestimated the amount of effort,

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energy, and time that goes into producing a good

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quality show. Everything from

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identifying a perfect guest, identifying

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a pitch idea, really, please don't

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underestimate. There's so much time that goes into that. And I

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wasn't even doing the post production because the technical part was left to

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Hannah. So kind of like, I did my, I was the

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front woman of that podcast. But there's a lot of

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energy that goes into preparing your guests,

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kind of getting them ready, and not all of them are experienced

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guests, so don't underestimate that.

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But they may have, you know, like, a really true kind

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of valuable information to share, and you

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really want to bring them on a podcast. But for a podcast, it needs

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to be, you know, it needs to have an energy, it needs to breathe. It

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needs to kind of have the vibe. So

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have that conversation with your potential guest ahead of time.

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See how they respond, see how stiff they are or how

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flexible and dynamic they are and how their voice works as well.

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Because if there's no video, voice will be the main

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medium. So I think these were all things I

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completely ignored and overlooked, as

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I said, as a professional guest on podcasts.

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Yeah, I think just adding on to that, I think my bit would be,

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don't make assumptions about your guests. I think

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because there are some people who seemed nervous

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beforehand, hadn't done it before. Maybe when I've seen them around the business school, they're

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quite quiet and in front of the microphone, they were just brilliant. They were on

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it. Like Jana said, that vibe was there. But then vice versa,

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there are some people I thought would have been, you know, seasoned pros. They've been

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to all the conferences they've talked, and they kind of got there and go, well,

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what do I do now? Also, I think it maybe I

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naively thought that everyone would have listened to the podcast who came on. Like, I

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always try and do my best. I always explain it. I say, the format, I

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say, like with ours, make sure you've got a colleague to do it. I say

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it's 15 to 20 minutes. You need to ask each other questions. It's informal,

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etcetera. And I always try and send them a specific episode that

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theirs might be most similar to or they might be interested in. And then I

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have had quite a few occasions where I'll turn up and some will say, all

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right, what questions you can ask me then. And I say, no, no, no. You

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know how we had this email trail about how I'm not going to be doing

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the questions and you kind of need to do that homework. And I get it,

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everyone's busy and everyone's got loads of emails. But I think, just don't

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underestimate that pre recording stage of thinking

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what your guest is going to be like, making sure they're aware of what it

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needs to be like and. Yeah. And just, just not having those assumptions.

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Thanks, and to you Sarah. Yeah, thanks. Sorry about just going

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blank a minute ago. I would say I totally agree with what Emma's just put

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in the chat, which is you have to get comfortable with hearing your own voice.

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That was difficult at the start when you've got to listen to, because you have

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to realize that as you're editing, you probably listen to every episode maybe three or

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four times in the process of kind of getting it all together. So,

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yeah, getting used to your own voice is definitely one thing. Things I wish I'd

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known before I started. I could have made it a lot simpler. I

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overcomplicated it. I don't think that's unusual. I started doing really

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long shows notes. I've used quite...I've got quite a

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complicated, like, the way the music and the sound goes together at the start is

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you might not know if you listen to it, but it's quite complicated. There was

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no need for me to do that and now I'm stuck with it. And so

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that's a bit of a note of caution. But the other thing that I wish

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I'd known before I started is actually a positive thing. I had no idea

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how much it would grow my network.

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And that has been incredible. The people that I've met, the

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opportunities that it has given me. If I had no idea when I

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started that that's where it would go, and that's been amazing.

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That's a real positive output. So I know we're getting close to the end, so

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just a couple of minutes and just one question, I think, which kind of fits

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quite aptly at the end of the process in terms of

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how do you try and measure, and this may be one of those jobs that

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you want to do and goes back to what Hannah says, it's something you want

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to do, and it's having the time, and I totally get that. I'm sort of

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in that same position. But what about measuring impact

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and obviously making cases for doing these things and

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potentially using it as a way to generate the funding as well, to

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support. So, you know, we can have two Hannahs instead of

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one by making those cases, because clearly

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podcasts are growing in their potential and in their

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number. So I don't know who wants to pick that up. Maybe you, Hannah,

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in terms of this. Yeah, it's really

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hard, as with any communications, to be honest, it's difficult. I mean, you can have

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numbers, you can look in a blog post, you can look at your Google Analytics,

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social media engagement, podcasts, you look at number of listens.

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But it can be really, they can be quite arbitrary. Like

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you've got 50, you've got 500, you've got 5000. Well, are you

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comparing with someone else? Are you comparing with another season?

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For me, and to be honest, maybe this is just me saying it's a bit

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of a safety net to cover ourselves, but I try not to focus on the

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listeners, the numbers, but try and see if any of our

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speakers have had some impact from it. So, for example, for one of the episodes,

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someone shared it with their stakeholders and the leader

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of that stakeholder group said how much they appreciated it because the group wasn't very

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data literate. But to be able to have that episode meant that they could all

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share it within the organization and people could take it on board more. And for

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me, that's what it's about. If that episode only had 30 people, but

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there were 30 people in the organization who then took away, well, that means more

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to the, then a thousand people have listened to it and then instantly forgotten it.

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So it's kind of an unsatisfactory answer because really what we all want to go

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is, oh yeah, you want x amount and you go do this and it increases

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it and that'll be great. And then your boss will love it and then you'll

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get more money to increase it. Unfortunately, I don't have that magical answer.

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But for me, it's, you know, it's impact, isn't it? That keyword, it's

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are people implementing your findings? Are they engaging? Are

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they enjoying? Are they sharing? Are they spreading the word? So I

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try and avoid setting yourself any limits, saying, we're going to launch this

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podcast and we're going to aim for 500 listeners every month because you're kind of

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setting yourself up for fail. It's good to monitor it, it's good to see what's

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working. And maybe the ones where you have multiple guests on, they

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perform higher. Or maybe you've learned that the ones you release on a Tuesday morning

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do better than the ones you do on a Friday afternoon. The metrics can help

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you in that way, but I just try to say, not get too caught up

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with the numbers. That's a great answer and I think some really good points

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well made. Thank you. Does anyone have any final comments or anything? Because I know

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we're at time and Nick will want to wrap up. And for anyone

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who's asked any questions, I do apologize. We've not covered them at the moment, but

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I'm sure you can contact any of your colleagues or if, you know, if you're

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from external to Leeds, I'm sure they'll still be happy to hear from you. If

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you've got any burning questions you want to ask. So they'll all be

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discoverable on the web through various means. So if you've got any burning

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questions, please do. And I apologize that we've not covered them all, but I think

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there's been a really good conversation here today. A lot to cover

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and it shows a lot of potential. Is there any kind of closing points from

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anyone that they'd like to make?

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I think for me, I was....hen Ruth

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suggested it was Ruth's bright idea, I kind of thought she was

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nuts. I still do think she's nuts in a really, really

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enjoyable way. But I'm loving it,

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so just give it a go, you know, and I'm really

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enjoying speaking to interesting people

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who were, who were out in outside my network but are

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now inside it. So just to kind of, you know, it's been real

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fun. Can I just add

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that one thing that I, you know, I would advise

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myself was give your listeners far more time and

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engagement because, you know, they've taken half an

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hour from their incredibly busy schedules to listen to your

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show. Try to engage them afterwards as well.

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Anyone else? Final comments? If not, I'll hand over to Nick, say thank

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you all for coming today. I think it's been a fascinating discussion, really a lot

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of useful information. Hopefully it's inspired some people to maybe take their

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journey or contact colleagues to actually record their own

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podcasts.

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Thanks for listening to the research culture uncovered podcast.

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Please subscribe so you never miss out on our brand new

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episodes. And if you're enjoying the discussions, give us some

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love by dropping a five star rating and written review as it

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Thanks for listening and here's to you and your research culture.

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About the Podcast

Research Culture Uncovered
Changing Research Culture through conversations
At the University of Leeds, we believe that all members of our research community play a crucial role in developing and promoting a positive and inclusive research culture. Across the globe, the urgent need for a better Research Culture in Higher Education is widely accepted – but how do you make it happen? This weekly podcast focuses on our ideas, approaches and learning as we contribute to the University's attempt to create a Research Culture in which everyone can thrive. Whether you undertake, lead, fund or benefit from research - these are the conversations to listen to if you want to explore what a positive Research Culture is and why it matters.

Unless specified in the episode shownotes, Research Culture Uncovered © 2023 by Research Culturosity, University of Leeds is licensed under CC BY-SA 4.0. This license requires that reusers give credit to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. Some episodes may be licensed under CC BY-ND 4.0, please check before use.

About your hosts

Emma Spary

Profile picture for Emma Spary
I moved into development after several years as an independent researcher and now lead the team providing professional and career development for all researchers and those supporting research. I am passionate about research culture and supporting people. I lead our Concordat implementation work and was part of the national Concordat writing group. I represent Leeds as a member of Researchers14, the N8PDRA group and UKRI’s Alternative Uses Group.

Emily Goodall

Profile picture for Emily Goodall
I'm part of the Researcher Development and Culture team at the University of Leeds, focusing on Responsible Research and Innovation (RRI), open research, and research integrity provision. I also contribute to our PGR develop programmes and research ethics committees. I joined Leeds in 2022 after several years at the University of Sheffield, where I started out as a postdoc in Neuroscience, before transitioning into Professional Services to managing a large Doctoral Training Partnership.

Taryn Bell

Profile picture for Taryn Bell
I work as a Researcher Development Adviser at the University of Leeds. My focus is on career development, with a particular focus on supporting funding and fellowships. I previously worked at the University of York as their Fellowship Coordinator, developing and growing the University's community of early career fellows. Get in touch if you'd like to learn more (T.L.Bell@leeds.ac.uk)!

Katie Jones

Profile picture for Katie Jones
I am a Researcher Development and Culture Project Officer at the University of Leeds, where I lead projects within the Researcher Development and Culture Team. My role involves managing projects that enhance the development of researchers and foster a positive research culture across the University and the higher education sector.

Heledd Jarosz-Griffiths

Profile picture for Heledd Jarosz-Griffiths
I’m a Researcher Development Advisor at the University of Leeds. My work focuses on two key areas, supporting the development of postgraduate researchers (PGRs), and supporting and creating opportunities for research leadership development. I’m also particularly passionate about recognising the contributions of post-doctoral researchers and technicians, especially when it comes to supervision, reward, and recognition. Before stepping into this role, I spent several years as a researcher myself - first as a PhD student, and then as a post-doc, working across two different fields in both Leeds and Manchester. Through that experience, I developed a deep understanding of the challenges and developmental needs of early-career researchers. I’m really passionate about supporting the next generation of researchers and helping them navigate their academic journey.

Ged Hall

Profile picture for Ged Hall
I've worked for almost 20 years in researcher development, careers guidance and academic skills development. For the last decade I've focused on the area of research impact. This has included organisational development projects and professional development for individual researchers and groups. I co-authored the Engaged for Impact Strategy and am heavily involved in its implementation, across the University of Leeds, to build a healthy impact culture. For 10 years after my PhD, I was a consultant in the utility sector, which included being broker between academia and my clients.

Ruth Winden

Profile picture for Ruth Winden
After many years running my own careers consultancy business I made the transition to researcher development leading our careers provision. My background is in career coaching, facilitation and group-based coaching, and I have a special interest in cohort-based coaching programmes which help researchers manage their careers proactively and transition into any sector and role of their choice.

Nick Sheppard

Profile picture for Nick Sheppard
I have worked in scholarly communications for over 15 years, currently as Open Research Advisor at the University of Leeds. I am interested in effective dissemination of research through sustainable models of open access, including underlying data, and potential synergies with open education and Open Educational Resources (OER), particularly underlying technology, software and interoperability of systems.

Tony Bromley

Profile picture for Tony Bromley
I've worked in the area of the development of researchers for 20 years, including at the national and international level. I was lead author of the UK sector researcher development impact framework charged with evaluating the over £20M per year investment of UK research councils in researcher development. I have convened the international Researcher Education and Development Scholarship (REDS) conference for a number of years and have published on researcher development evaluation and pedagogy. All the details are on www.tonybromley.com !! Also why not take a look at https://conferences.leeds.ac.uk/reds/